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Mark Thomsen, Tenor

Artist in Residence

Professor of Music

Thomsen

I believe a singer/actor needs to be able to access her/his ability to communicate the intent of their performance with all of their being. Uniting vocal technique, brain, body and heart to allow the best possible performance in the moment is my job as a teacher. To create an environment where the student can build the confidence one needs to maximize the merging of technique with brain, body and heart for the best performance.

-Mark Thomsen

Branscomb

 863.680.4737

Biography

As one of America’s most accomplished tenors Mark Thomsen, tenor, enjoys a successful career in critically acclaimed performances throughout the world. Mark has performed to acclaim at the Metropolitan Opera, Chicago Lyric Opera, La Scala (Milan), Wiener Staatsoper, Wiener Volksoper, New York City Opera, Dallas Opera, Houston Grand Opera, Washington National Opera, and the Santa Fe Opera among others. Mr. Thomsen has sung and directed in the Imperial Symphony Orchestra’ s (now Lakeland Symphony Orchestra) opera productions, A Night at the Opera, most recently as stage director of Puccini’s La bohème. Mr. Thomsen recently performed with the Portland Opera for their production of Mozart’s La Finta Giardiniera. Highlights for the upcoming season include returning to Las Vegas for performances of Handel’s Messiah and various concerts in the Las Vegas valley. A graduate of Eastman School of Music (MM) Mark is Artist-In-Residence at Florida Southern College where he teaches voice and directs the opera class. Additionally, Mark is Program Director and co-founder of the vocal summer program IOPE (International Opera Performing Experience, http://www.performopera.com/), which is based in Mercatello, Italy. To learn more about Mark Thomsen, go to www.markthomsen.com

Education

  • BA in Applied Voice, Gustavus Adolphus College, St. Peter, MN, 1978
  • Minnesota Opera Apprentice, 1978 - 1980
  • Performer’s Certificate in Voice, Eastman School of Music, University of Rochester, 1982
  • Performer’s Certificate in Opera, Eastman School of Music, University of Rochester, 1982
  • MM in Voice, Eastman School of Music, University of Rochester, 1983
  • Houston Grand Opera Apprentice, 1982 - 1985

Interests

As a former collegiate athlete I love sports including and not limited to football, basketball, baseball, golf and tennis. Travel is important as is reading murder mysteries and historical novels. Movies as escapism is enjoyable as well.

Awards

Distinguished Alumni Award in the field of Music, The Gustavus Alumni Association, Gustavus Adolphus College 2011

First Decade Award, The Gustavus Alumni Association, Gustavus Adolphus College 1988

Debut Artist of the Year, New York City Opera, New York 1985

Pavarotti Award, Metropolitan Opera Auditions, Texas 1985

Second Place, Metropolitan Opera Auditions, Texas 1985

Pavarotti Award, Metropolitan Opera Auditions, Texas 1984

First Place, National Association Teachers of Singers Minnesota Regional Competition 1977

Publications

Recordings (1982 - 2013)

The Truth About Windmills by Alec Wilder/Arnold Sundgaard. Performed by Pantheon singers: Claron McFadden, Robynne Redmon and Mark Thomsen.
A Quiet Place by Leonard Bernstein/Stephen Wadsworth. Performed by Deutches Grammophon singers include: Beverly Morgan, Chester Ludgin, Peter Kazarass, Kurt Ollman, Louise Edekin, and Mark Thomsen.
The Horse I Ride Has Wings with David Garvey on piano. Now recording selections from Mark Thomsen include: ‘Dalla sua pace’ from Mozart’s Don Giovanni, ‘Salut! demeure chaste et pure’ from Gounod’s Faust and Frank Bridge’s song ‘The Horse I Ride Has Wings’.  Other singers include Donnie Ray Albert.
Bandanna by Daron Hagen, Albany Records. Performed by UNLV Opera Theater Chorus, UNLV Wind Orchestra, Lesley DeGroot, James Demler, Paul Kreider, Mark Thomsen, Darynn Zimmer, Daron Hagen, conductor.

Performance Experience (2008 – 2014)

Opera

The Metropolitan Opera
Role: Don Ottavio (cover and perform)

Mozart’s Don Giovanni, sung in Italian

Role: Nicias (cover)

Massanet’s Thais, sung in French

Role: Eustazio (cover)

Rossini’s Armida, sung in Italian

Role: Diener 7 (cover)

R. Strauss’ Capriccio, sung in German

Opera Naples (FL)
Role: Tamino

Mozart’s Die Zauberflőte, sung in English

Imperial Symphony Orchestra

*Stage Director for Lehár's The Merry Widow (January, 2014) performed in English and in conjunction with Florida Southern College and Florida Dance Theater

Role: Don Ottavio

Mozart’s Don Giovanni, sung in Italian

Role: Frederick

Gilbert and Sullivan’s The Pirates of Penzance, sung in English

Indianapolis Opera
Role: Dick Johnson

Puccini's La Fanciulla del West, sung in Italian

Opera Las Vegas
Role: Don Ottavio

Mozart’s Don Giovanni

Portland Opera
Role: Governor/Vanderdendur/Ragotski

Bernstein’s Candide

Spokane Opera
Role: Cavaradossi

Puccini’s Tosca, sung in Italian

Manitoba Opera
Role: 1st Jew

Strass’ Salome, sung in German

Concert

Faust in Anchorage Symphony's concert production of Berlioz' The Damnation of Faust

Tenor soloist for Indianapolis Opera’s Opera Goes to the Movies arias including: “M’appari’ tutt’ amor” from von Flotow’s Martha; “O Lola” and the brindisi from Puccini’s Cavalleria Rusticana; “Nessun dorma” from Puccini’s Turandot

Tenor soloist for Collins’ Daughter of The South, Peoria Symphony Orchestra

Tenor soloist in Handel’s Messiah with The Desert Chorale of Las Vegas, NV (2008, 2009, 2010)

Tenor soloist in Mozart’s Requiem with the Spoleto Festival, USA, sung in Latin

Tenor soloist in Beethoven’s Ninth Symphony, sung in German with the Arkansas Symphony Orchestra

Tenor soloist in Beethoven’s Ninth Symphony, sung in German with the Las Vegas Philharmonic

Tenor soloist in Beethoven’s Ninth Symphony, sung in German with the Binghamton Philharmonic (NY)

Tenor soloist in Mozart’s Coronation Mass with the Spoleto Festival, USA Don José in Grand Junction Symphony Orchestra's concert production of Bizet's Carmen